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The Castle by Jon Ronson

Writer: NZ Booklovers
NZ Booklovers
1 hour ago
3 min read

What do a medieval-style castle, 101 princesses and an eccentric millionaire have to do with men struggling to find their place in the modern world? This question sits at the heart of Jon Ronson’s The Castle, a darkly funny but unsettling investigation into masculinity in crisis.


What exactly is ‘Princessing’? Why did a lawn care influencer go viral online when he dressed as a baby? These strange, but real stories become entry points into Jon’s wider exploration of men searching for purpose and identity.


The story begins when Jon receives a series of alarming messages from his son Joel. Joel and his friends had gone to what they believed was a party at a castle in Connecticut, USA. Instead, they found themselves being encouraged to wear princess dresses for a proposed reality show. Concerned and intrigued, Jon begins investigating the mysterious castle and its wealthy owner. What starts as a father trying to understand his son’s bizarre experience soon develops into something much larger. The mystery twists into a cat-and-mouse story as Jon attempts to uncover the secrets hidden behind the castle walls.


The castle also opens a wider investigation of men who feel abandoned by a rapidly changing world. Jon traces this sense of disconnection from the decline of utopian factory towns, which once offered work, security and community, to the false promise of YouTube influencer culture. Many of the men he meets are searching for status, purpose and belonging, but the online world often leaves them even more isolated. 


Jon comes to see the castle as a kind of fantasy world. Its owner appears to be trying to create a life in which he controls the rules and interacts with other people only on his own terms. This reflects a wider pattern Jon finds among men responding to changing social structures and shifts in power. Some retreat from society, while others turn towards influencers, online communities or increasingly extreme ideas.

These private worlds can offer the illusion of freedom and control, but The Castle suggests that the experiment is failing. The communities do not provide the connection or meaning they promise. Instead, loneliness deepens, familiar boundaries collapse and uninhibited online behaviour begins to spill into real life.


Jon uses a form of gonzo journalism, becoming an active character in the investigation rather than observing at a safe distance. His concern for his son gives the story a personal urgency, with the pace of a true-crime story. This makes the book feel immediate and unpredictable. He follows unexpected leads, even when they place him in potentially dangerous situations. 


His writing is compassionate and frequently funny. He does not excuse disturbing behaviour, but tries to understand what lies beneath it. He also avoids presenting every troubled man as angry or dangerous. Some are lonely, some feel powerless and others have found people online who offer simple solutions to complicated problems.


If you watched Louis Theroux’s Netflix documentary Inside the Manosphere, you will find plenty that feels familiar here. Both Louis and Jon enter unusual and polarising environments with patience, humour and genuine curiosity. Their calm, non-confrontational manner encourages people to speak openly, often revealing more than they intended. The Castle is not a complete explanation of the masculinity crisis. Instead, it shows how the loss of secure work, trusted institutions and shared purpose can leave people vulnerable to those promising certainty.  


Funny, disturbing and thought-provoking, The Castle is a fascinating investigation into men searching for meaning in a changing world. If you enjoy Louis Theroux’s documentaries and narrative non-fiction about the stranger corners of modern life, this book is for you.



Reviewer: Andrea Molloy

Penguin Viking


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