Tim Tipene’s Pipi and Pou and the Waves of Destruction is another in a series that continues to captivate young readers with its blend of adventure, cultural heritage, and environmental themes. This instalment takes readers to the East Coast of New Zealand, where our young heroes and their wise ever-helpful Nana face a formidable natural disaster.
The story begins with cousins Pipi and Pou eagerly anticipating their Nana’s delicious rhubarb and apple pie when a news report about a natural disaster interrupts their plans. Huge tides are swamping the coast and overrunning the homes of a coastal Marae. Nana, with her keen sense for the unusual, recognises something out in the waves and decides to investigate. She instructs her moko (grandchildren) to grab her kete (basket) and tokotoko (carved walking stick), and they set off in her old car, Betsy, which only starts after a waiata.
Their journey leads them to a small inundated town where the sea has stretched into its streets and homes. The town is eerily empty after a mass evacuation, which is probably for the best when a crab the size of Nana’s car rises out of the floodwaters. Pipi and Pou are initially shocked, but Nana recognises the enormous crab and enlists its help to reach the source of the problem causing the tsunami.
As they venture past the breaking waves, the situation becomes increasingly perilous. Nana tumbles into the sea, causing instant panic among her moko. Pou transforms into his superhero self – a giant taniwha – to try and save her, while Pipi, not trusting the crab, transforms into her special secret form – a Pouākai (Haas eagle).
As with the whole series, cultural heritage is included in the narrative. The story underscores the significance of looking after our environment and being responsible with our rubbish, a message that resonates strongly in today’s context of frequent natural catastrophes..
The development of Pipi’s skills is a welcome addition to the story and series. Her first karanga (call) over the waves is a pivotal moment, showcasing her growth and the strengthening of her role as a kaitiaki (guardian). Pou’s cheeky and humorous nature adds a light-hearted touch to the story, balancing the tension and making the narrative more engaging for young readers.
The book is well-suited for emerging readers, with its short chapters, clear font, and riveting plotlines. The glossary of Māori words at the back of the book is a valuable resource for readers looking to expand their te reo vocabulary.
In conclusion, Pipi and Pou and the Waves of Destruction is a delightful and thought-provoking read that combines adventure, cultural education, and important life lessons. This book is a must-read for young readers, especially those who can see themselves reflected in the adventures of Pipi and Pou.
Reviewer: Chris Reed
One Tree House